Less is more

Just found this superb video of María Inés Bogado y Sebastian Jiménez, the current Tango Salón champions performing in Valencia (Spain). There is so much that can be learned from this recording of just 3 minutes! Their musicality is brilliant, with clever changes of dynamic executed with total control and excellent technique. The connection is utterly palpable. A brilliant performance where colgadas, volcadas, ganchos etc., fashionable in some tango circles, would have been totally superfluous.

So what can be learned by ‘mere tango mortals’ which could be of any use to dancing socially in the milonga from this outstanding performance? Many things, I think.

But let me focus on only her footwork. Why? Because it’s perfect for dancing in a crowded milonga, and it is simply beautiful! So many ladies in tango frantically try to execute adornos (decorations) as a way to express themselves, often to the detriment of their partner, the music, the dancers around them, let alone their own elegance. I’ve expressed my views on this topic in the past.

Interestingly, María Inés dances with few explicit adornos, and they are done with understatement and sensuality. Yet who could say that her footwork is not exquisite and utterly mesmerising? I simply wish that ladies wanting to add a little spice to their social dancing, would focus more on walking elegantly and using their feet beautifully.

PP

Decorations - a contradiction in terms

Recently it dawned on me that decorations, adornos, embellishments (call them what you will) could well be considered a contradiction in terms - unless executed for a tango performance.

Under most circumstances in life, a decoration is an external embellishment. Yet an adorno in social tango comes from within and remains within the embrace. It's not primarily for the viewing public. It is a spontaneous expression of the emotion of the music. It does not disturb our partner. It isn't calculated or premeditated. However, sound technique and control underpin any elegant adornment.

What is a decoration in social tango? To me it begins with the way in which dancers (male or female) use their feet when taking a step.

For anyone interested in this topic, I recommend very highly the articles by Olga Besio and Milena Plebs (in Spanish & English).

PP

To decorate or not to decorate ...

Decorations, embellishments, adornos ... call them what you will.

Inevitably ladies ask for them to be taught. After all they can look pretty, if done well. Most tango videos of performances feature amazing decorations by both men and women. But I reckon this fervent desire to decorate comes about primarily because some ladies seem to feel that only by embellishing, are they able to contribute something to the dance in which their partner has a greater say - well, that's my theory anyway. Perhaps it's a product of liberated women, feeling somewhat awkward in this traditional dance which has fairly clearly defined male and female roles. Although some would argue that this is an attraction of tango. But I digress from my topic...

In my humble opinion, adornos are best done intuitively, organically and genuinely, when the emotion of the music and the moment produce a small, almost unconscious, flourish. A decoration is just that ... not something which disturbs the partner or the dancers around you. Beautiful adornos are a natural expression and response to the music, flowing from what has been led and often a sign of appreciation from the woman to her partner. I love those elegant and understated decorations which add to the enjoyment of the couple dancing, and are scarcely noticeable to observers.

However, as we all know, subtlety of movement requires a high degree of physical control. So there's no getting around the fact that fundamental technique - axis, balance, timing, dissociation, weight transfer, etc. - needs to be mastered first. After all, a decoration is the extra little something for the couple dancing, the delicate extension of the movement, a little icing on the cake, perhaps.

It is important to work on tango technique and practise decorations privately, in class and practicas many, many times. But to be quite honest, I find that repeated and predictable embellishments during a milonga look utterly contrived and overdone - a bit like a woman wearing her entire jewellery collection on the one occasion. Doing adornos in social dancing is definitely a case of less being more.

Jennifer Bratt has developed an excellent website on adornos, including video clips with various types of embellishments, important advice on technique and exercises for the feet. So for ladies bursting to develop tango decorations, go for it ... but elegantly, please!

Pat.

BTW Here's Jennifer performing with her partner Ney Melo.