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Our teaching develops your musicality, connection, technique & improvisation with social tango, as well as insights into tango culture and critical skills to build your confidence with milonga etiquette.



Thursday, 7 April 2016

More higher order skills for men


Dancing in El Beso can be challenging, but need not be, provided yet another higher order skill for men is employed.

Yes, the floor gets crowded, with couples closely sandwiching you at front, back and side, but the standard of dancing is high, so navigation skills are fairly well refined.  In fact, it’s this knowledge that gives me confidence – I rarely have to worry about dancers behaving inappropriately or with poor control.

But there is something else that happens – I not only dance with partner, I dance with the couples around me, particularly those directly in front and behind.  We need not be interpreting the music in exactly the same way or utilising the same small batch of figures, but there is and ebb and flow as our movements resonate with each other.  While I’m dancing with my partner, I’m constantly adjusting my position so that the other couples can use their ‘space’ relatively unimpeded; and they afford me the same courtesy.

Certainly, I am ‘in my own world’ with my partner – listening to her, responding to her, picking up the rhythms, cadences & moods of the music and responding to them too.  However, I connect with ‘my other world’ – surrounding couples, by dancing in my space and respecting theirs, which means walking and pausing, ochos cortados, vaya ven, lots of small turns, and whatever else my body (not my head) decides to do.

“Dancing in the ronda" is therefore much more than moving around the floor anti-clockwise parallel to the walls, it’s about dancing with others. 
Bob 

Saturday, 26 March 2016

A higher order skill for men


What do I mean by higher order skills relevant to the male role in social tango?

Responding appropriately to the music, using the body to effectively communicate your intention and responding sensitively to your partner, are all essential. But these I consider bread and butter skills. In other words, skills which are absolutely fundamental to dancing tango.

So what is a higher order skill? Tricky figures executed in performances may come to mind, but here I'm thinking about tango only in the social context. I'm thinking of the challenge (and the pleasure) in putting those bread and butter skills into action in a busy milonga.

Early in their tango journey, most men probably feel somewhat anxious (and rightly so) at the prospect navigating a dance-floor, let alone a crowded one! A number of skills and factors come together to produce good floor-craft in a male dancer. Not least of these is self-confidence balanced with respect towards the other couples on the floor. Without both of these, even the most musical and skilled male dancer becomes a hazard to others at a milonga.

Master good floor-craft, gentlemen, so your partner can have complete confidence in your ability to protect her and to respect others. It's worth it. Do this and she will surrender to you in the dance. Now that's tango!

Just take a look at a video-clip of Lujos, one of my favourite milongas, to see what I mean.

PP




Saturday, 27 February 2016

Is milonga etiquette passé?


Casting my eyes over the reader statistics of this blog, I was surprised by a stand-out trend over the years. The most read and commented posts had a clear theme in common. In the popularity stakes, these two posts were head and shoulders above the rest.

On reflection, the high readership should have been easily anticipated. Considering the social nature of milongas, it should come as no surprise that a topic such as Partner-poaching is a popular post, and that the most read and commented post is How to choose a dance partner.

Not all the comments were in agreement with the sentiments expressed in the posts. In fact, some hearty online discussion resulted. Nevertheless, these real-life situations (humorous, embarrassing, perplexing) in the milonga certainly resonated with many readers.

Surely the popularity of those posts tells us something. In my opinion that message is that milonga etiquette, respect & courtesy, codes of behaviour - call it what you will - still serve a useful role in 21st century milongas, both here and in Buenos Aires.
PP

Tuesday, 26 January 2016

Can another body be seen as an extension of your own?


Have you experienced a strong connection with a partner when dancing tango? Ever wondered where that might come from?

Well, there seem to be some scientific explanations for the phenomenon. Thanks Alex Tango Fuego for sharing this fascinating Scientific American article.

Friday, 22 January 2016

Favourite milongas


Great music, a good standard of social dancing, respectful & harmonious dance-floors and friendly organisers. That's what we look for when attending milongas in Buenos Aires.

Thanks to Carlos Neuman of Milongas Buenos Aires, you can get a taster of what to expect.  It will help you decide where you would feel comfortable. He has thoughtfully put together videos of many of the popular milongas for the entire week!

They're all delightfully different in character. Venues vary. Some cater more to solo dancers (cabeceo skills required), whereas others, especially the outer-suburban milongas, are more group-oriented. DJs play a big role in attracting regular dancers. You may see the same faces in more than one of them.

Here are a few of our haunts:

El Beso (Thursday) - watch out for the cabeceo at the start of the video

La Milonga de Buenos Aires (Friday)

La Baldosa (Friday)

Lujos (Sunday)

El Maipu (Monday):

PP

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