There’s value in seeking out particular partners to dance
your favourite D’Arienzo tanda, Tanturi valses, or a Di Sarli/Rufino
tanda. You know who dances these in the
style you enjoy.
But what about all of your other partners? By this, I mean the other couples already on
the floor! It may be wise to survey the
line of dance for a moment, before entering the ronda. You probably have no
desire to dance in front or behind a couple who are dancing in a dangerous
fashion (high boleos, large unpredictable movements, poor body control,
etc.). And then there are the couples
who are dancing to the music in a manner very different to how you would, e.g.
you may prefer to dance to some Pugliese slowly, without any complex moves,
whereas your neighbouring couple may be fast & furious! This will certainly disrupt your focus on the
music. It certainly distracts me! So,
look for couples who will dance in a way that complements you ….. and men, there’s also a lot to be gained
by dancing behind a very good male dancer!
When I visualise dancing at my favourite milongas, I see a
crowded floor, with my dance space on the outside ronda being no more than a ‘baldosa’
– maybe one metre square. Yet, there is
rarely a bump, because the dancing reflects the music very well, and the
navigation skills of most leaders allow them to incorporate their neighbours’
movements into their own. In this
milonga, despite its busyness, I can normally relax with my partners, because I
trust most of the other leaders that surround me.
Bob
Bob
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