Born 28 October 1907, Miguel Calo collaborated with many of the greats of the Golden Age during his tango career - as bandoneonist, band-leader and composer.
Many a dedicated tanguero would declare a milonga incomplete without a tanda of Calo with singer Raul Beron. Yet, I suspect few know that this immortal collaboration almost came to a very premature end. Calo's orchestra was broadcasting at a radio station, and the station executives apparently felt that Beron was not up to their standards. So, they told Calo to sack him, which he did. But the just-recorded Al compas del corazon became a hit.
Fortunately, they had second thoughts. Otherwise, we would never enjoyed the exquisite Jamas retornaras.
Calo also recorded gems with Alberto Podesta, including Dos fracasos. And here's the goosebump-inducing Que falta que me haces 1961, performed by Javier Rodriguez and his first partner Geraldine Rojas. It's a study in restrained intensity.
Trenzas, recorded with singer Raul Iriarte, was said to be a favourite piece of the late Andrea Misse. Here she is dancing to Trenzas with Javier Rodriguez.
Sunday, 27 October 2013
Subscribe to:
Comments (Atom)
Popular posts
-
Ever found yourself dancing with someone and regretting it? Were you unsure of what went wrong? Do you still have no idea of how to preve...
-
We’ve been scratching our heads over a behaviour that we’ve observed with some frequency. There’s been no number-crunching but we’ll stick ...
-
"Leading" and "following" are such inadequate labels for what happens when we really dance tango. On the other hand,...
-
Did you realise that the Golden Age tango orchestras were in fact cover bands? Yes indeed! The fabulous orchestras of Di Sarli, Troilo, ...
-
What do I mean by higher order skills relevant to the male role in social tango? Responding appropriately to the music, using the body ...
-
Ever been dancing at a milonga and felt like you have suddenly been transported to a fairground? Instead of being in a comfortable emb...
-
How important is a cortina , apart from clearing the dance-floor between tandas? Does it affect the mood and energy of the milonga?...