So what are the characteristics of some of the current
survivors of these tough times? Lucy and Dany, organisers
of the successful El Maipu (Monday
nights at La Nacional) have certainly captured and maintained the formula. It’s
all about consistently delivering a quality
milonga experience with a personalised high care factor. This seems to have a
magnetic effect, attracting discerning dancers who value the quality
experience. They know where to get more “bang
for their bucks”, especially in these difficult economic times. However,
the consequences for other milongas are unfortunate.
When the budget is tight, experienced dancers don’t want to
risk wasting time and money. They value quality above quantity. If a milonga is too expensive, has
inconsistent music which changes mood mid-tanda, or bizarre musical choices, inconsiderate/unskilled dancers with poor
floor-craft, indifferent or unwelcoming organisers, then it may not survive the
current climate. One of these factors alone may be enough to turn people off, and the word spreads.
Perhaps milonga organisers elsewhere in less challenging
circumstances should take heed of the hard lessons being learned here in the Mecca
of tango.
PP
Good to know about your blog this was due to further increases in the venue hire. She had heard that this would have raised the milonga entrada to a ridiculous 40 pesos, quite beyond the pale for locals.
ReplyDeleteThank you for post.
Adelaide