Monday, 11 January 2010

Tete Rusconi and Osvaldo Zotto

How can we make up for the recent loss of these two great dancers? In short, we can't. They take with them to their graves the essential elements that made Tete's valses unique for their vigour and sense of joy, and the beauty that Osvaldo's precision gave to his dance.

Tete was no doubt dancing as a young man during the Golden Age of tango - think of the great musicians and dancers that contributed to what became Tete's dancing. We saw him often at Maipu 444 and El Beso dancing with the energy of a young man; there was absolutely no doubt that the milonga was a second home to him and that he simply loved to dance.

Our first memories of Osvaldo were from his instructional tapes with Mora Godoy in the late 90s, teaching his viewers precisely where to step & how to lead. Later, we would regularly see him at the Club Sunderland restaurant with his partner Lorena and friend Carlos Gavito; it was very obvious how much he cared for Gavito and no doubt took part of him into his teaching and dancing.

Perhaps there is something we can all attempt to do to make up for this loss in a small way. We can strive to pass on to the next generation of dancers what we have gleaned from these two masters: the joy of tango and its simplicity when danced from the heart.

Here is a glimpse of the irrepressible Tete , Osvaldo with Lorena part 1 and part 2 (unfortunately, the recording of their dance to Indio Manso was divided), and finally Osvaldo in a remarkable solo.

Bob

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